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CO-PRODUCTION SEBAGAI METODE PENCEGAHAN KEJAHATAN PENCUCIAN UANG DALAM INDUSTRI PERFILMAN HOLLYWOOD: STUDI KASUS RED GRANITE PICTURES TAHUN 2013-2017

*Yulius Tyas Christrianto Kaseger  -  Departemen Hubungan Internasional, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Diponegoro, Indonesia
Ika Riswanti Putranti  -  Departemen Hubungan Internasional, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Diponegoro, Indonesia

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Abstract
Money laundering has targeted pop culture, and one of which is the film industry. The money
laundering case by Red Granite Pictures is the first money laundering case in the film industry.
Specific methods are needed to prevent money laundering crimes in the film industry for the
better future. The main purpose of this thesis is to analyze co-production cooperation as a
method of preventing money laundering, by describing the situation and conditions of the United
States and European film industry, the development of co-production cooperation, treatment of
the Red Granite Pictures case, and of FATF’s recommendations regarding crime of money
laundering . This thesis uses qualitative research methods with explanatory research types and is
analyzed by collecting data obtained from books, annual evaluation reports along with
recommendations from FATF, also mass media. The explanation of the co-production
convention as a method of preventing money laundering using public policy theory, while the
national film commission will be analyzed using the theory of neoliberal institutionalism using
FATF as the bridging institution. The results of this study indicate that the co-production
convention is the suitable policy in preventing money laundering crimes in the film industry.
This can be seen from the arrangement of co-production conventions by the European Union,
which are in line with the FATF recommendations regarding money laundering.
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Keywords: Money Laundering, Co-production, Film Industry, United States of America, European Union

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