BibTex Citation Data :
@article{IO24812, author = {Bizanti Ayuri Ganis Daulay and Hapsari Dwiningtyas Sulistyani}, title = {MEKANISME SEKSUALISASI LAKI-LAKI DALAM WEBTOON EGGNOID}, journal = {Interaksi Online}, volume = {7}, number = {4}, year = {2019}, keywords = {Webtoon, Eggnoid, Male Sexualization}, abstract = { Comics that were originally published conventionally, are now published via the internet, known as Webtoon. Webtoon developed in line with the rapid development of internet content. In the media, it is seen that sexualization is not only applied to female, but has also been applied to male, especially the media that based on female demographics. The Eggnoid, a female demographic based webtoon, shows its own mechanism of male sexualisation. The objective of this study is to identify and analyze how the mechanism of male sexualisation in Eggnoid carried out through visual-image construction of male protagonist characters and power dynamic between male and female protagonist characters. This study uses a qualitative approach by using the semiotic-analysis of Charles S. Peirce, emphasizes the semiotic analysis of signs, which divided into three areas; the icon, the index and the symbol. This study is also supported by the APA's sexualisation theory, the Scott McCloud's comic theory, and the theory of power by Fred Luthans. The results show that Webtoon Eggnoid presents the mechanism of male sexualisation, from its beautifully face drawing, larger eyes and soft, the athletic body shape of male protagonist, the bright skin coloring techniques with halo or flower backgrounds that give a dreamy effect. In other words, Eggnoid shows the male protagonist picture has been designed intentionally based on female beauty standards. Eggnoid shows the power dynamics between male and female protagonists, starting from season one, two and three. The female protagonist shows a dominant role than the male protagonist initially, but in season three, the male protagonist is started to play a dominant role, by presenting his maturity of thinking and taking initiatives when interacting with female protagonist. Although male protagonist appears to be more dominant, Eggnoid points out that female protagonist is still hold real power. It is reflected by the intention of male protagonists who behave to meet only the interests of female protagonist. }, pages = {215--225} url = {https://ejournal3.undip.ac.id/index.php/interaksi-online/article/view/24812} }
Refworks Citation Data :
Comics that were originally published conventionally, are now publishedvia the internet, known as Webtoon. Webtoon developed in line with the rapiddevelopment of internet content. In the media, it is seen that sexualization is notonly applied to female, but has also been applied to male, especially the mediathat based on female demographics.The Eggnoid, a female demographic based webtoon, shows its own mechanism ofmale sexualisation.The objective of this study is to identify and analyze how the mechanismof male sexualisation in Eggnoid carried out through visual-image construction ofmale protagonist characters and power dynamic between male and femaleprotagonist characters. This study uses a qualitative approach by using thesemiotic-analysis of Charles S. Peirce, emphasizes the semiotic analysis of signs,which divided into three areas; the icon, the index and the symbol. This study isalso supported by the APA's sexualisation theory, the Scott McCloud's comictheory, and the theory of power by Fred Luthans.The results show that Webtoon Eggnoid presents the mechanism of malesexualisation, from its beautifully face drawing, larger eyes and soft, the athleticbody shape of male protagonist, the bright skin coloring techniques with halo orflower backgrounds that give a dreamy effect. In other words, Eggnoid shows themale protagonist picture has been designed intentionally based on female beautystandards. Eggnoid shows the power dynamics between male and femaleprotagonists, starting from season one, two and three. The female protagonistshows a dominant role than the male protagonist initially, but in season three, themale protagonist is started to play a dominant role, by presenting his maturity ofthinking and taking initiatives when interacting with female protagonist. Althoughmale protagonist appears to be more dominant, Eggnoid points out that femaleprotagonist is still hold real power. It is reflected by the intention of maleprotagonists who behave to meet only the interests of female protagonist.
Last update:
Interaksi Online, is published by Fakultas Teknik, Universitas Diponegoro, Jln. Prof. Soedarto, SH, Kampus Undip Tembalang, Semarang, Jawa Tengah 50275; Telp. (024)7460056, Fax: (024)7460055
Interaksi Online by http://ejournal-s1.undip.ac.id/index.php/interaksi-online is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.